CCH 1 to 4 CCH's are run in a row over and over (CCH 1,2,3,4, 1,2,3,4, and so on) to end point. CCHs 1-4 are run in that manner until they no longer produce any change. "The purpose of CCHs is getting the pc out of the past and into PT. In fact, the pc out of PT is being the past." Rfactor A common denominator of all aberration was interiorization into the past and unawareness of the environment. References HCOB 1 December 1965 "CCHs" HCOB 5 July 1963 "CCH's Rewritten" HCOB 3 July 1959 "General Information" HCOB 15 October 1958 "ACC Clear Procedure" HCOB 11 June 1957 "Training and CCH Processes" PAB No. 133 "Procedure CCH" PAB No. 134 "Procedure CCH Continued" Scientology Clear Procedure Issue I, December 1957 Tape: 6102C14 "Fundamentals of Auditing" Tape: 5902C13 "Summary of Data - Part I" Tape: 5811C19 "Attitude and Approach to Auditing" Tape: 5704C18 "Auditors Training CCH Evening" Tape: 5705C16 "Procedure CCH Steps" Tape: 5705C16 "Procedure CCH Background" Tape: 5707C05 "Basic Theory of CCH's" Tape: 5708C07 "CCH, Havingness, Endurance and Processes, Communication and Agreement" Tape: 5711C30 "Reviewing Procedure and Processes" Control and the Mechanics of SCS ~~~~ CCH 1 - Give me that hand Description This is a Tone 40 process. This is the first step to the control of the person's body, which is the basic element of Control-Communication Havingness (CCH). You first have to bring the person's body under your and then his control before you can attempt to bring his attention or thinkingness under control. The processor and person are seated in chairs without arms. The processor's knees on the outside of both of the person's knees. Never stop the process until a flat place is reached. Freezes may be introduced at the end of a cycle, this being after the "Thank you" and before the next command, maintaining a solid comm line, to ascertain information from the person or to bridge from the process. This is done between two commands, holding the person's hands after the acknowledgement. The person's hands should be clasped with exactly the correct pressure. Make sure every command and cycle separate. Maintain Tone 40. The stress is on intention from the processor to the person with each command. Leave an instant for the person to do it by his own will before deciding to take the person's hand or make contact with it. The processor indicates the hand by a nod of the head. The purpose of the process is to demonstrate to the person that control of his body is possible, despite revolts or circuits, and invites him to directly control it. Absolute control by the processor then passes over toward absolute control of his own body by the person. Tone 40: Tone 40 is giving a command and just knowing that it will be executed despite any contrary appearances. It means intention without reservation. Commands "Give me that hand." (Tone 40) The physical action of taking the person's hand when not given, and then replacing it in the person's lap. Making physical contact with the person's hand if the person resists. "Thank you." All commands are Tone 40 with clear intention, one command in one unit of time. Take up each new physical change manifested as though it were an origin when it happens, and query it by asking "What's happening?" This two-way communication is not Tone 40. Run the process only on the right hand. End Point Run CCH 1 to a flat point and then go on to CCH 2. If no change in aspect for three commands, with the person actually doing the commands, go on to the next CCH. Cautions None. ~~~~ CCH 2- Tone 40 8-C Description CCH 2 is Tone 40 8C. The purpose of the process is to demonstrate to the person that his body can be controlled and thus invite him to control it. To orient him to his present time environment. To increase his ability to duplicate and thus increase his havingness. Absolute processor precision is required with no drops from Tone 40, no flubs, total present time. The processor on the person's right side. The processor's body acts as a block to any forward motion when the person turns. The processor gives the command, if required, with physical contract of exactly the correct amount of force needed to get the command executed. The processor does not block the person from executing the commands. Method of introduction is as in CCH 1. Freezes may be introduced at the end of cycle, this being after the "Thank you" and before the next command, maintaining a solid communication line, to ascertain information from the person or to bridge from the process, this being the acknowledgement "Thank you" after the command "Turn around." Tone 40: Tone 40 is giving a command and just knowing that it will be executed despite any contrary appearances. It means intention without reservation. Commands "You look at that wall." "Thank you." "You walk over to that wall." "Thank you." "You touch that wall." "Thank you." "Turn around." "Thank you." Take each new physical change manifested as though it were an origin by the person, and when it happens, query it by asking "What's happening?" This two-way communication is not Tone 40. Commands smoothly enforced, physically when necessary. Tone 40, full intention. The processor and client are ambulant, processor in physical contact with the person as needed. Tone 40: Tone 40 is giving a command and just knowing that it will be executed despite any contrary appearances. It means intention without reservation. End Point Run CCH 2 to a flat point and then go on to CCH 3. If no change in aspect for three commands, with the person actually doing the commands, go on to the next CCH. Cautions None. ~~~~ CCH 3 - Hand Space Mimicry Description This is Hand Space Mimicry. It is done by using the hands. The processor has the person mimic his hand motions. The purpose of this process is to develop reality on the processor using the reality scale (solid communication line). To get a person into communication by control and duplication. To find the processor. To be free in two-way communication. The processor should be gentle and accurate in his motions, all motions being Tone 40, and giving the person wins. The process is introduced and run as a formal process. If the person dopes off in this process, the processor may take the person's wrist and help him execute the command one hand at a time. If the person does not answer during anaten to the question, "Did you contribute to their motion?", the processor may wait for the normal communication lag of that person, acknowledge and continue the process. Tone 40: Tone 40 is giving a command and just knowing that it will be executed despite any contrary appearances. It means intention without reservation. Commands The processor raises two hands, palms facing the person's, about an equal distance between the processor and the person and says, "Put your hands against mine. Follow them, and contribute to their motion." The then makes a simple motion with his right hand, then with the left hand. "Did you contribute to their motion?" Acknowledge the answer. The processor allows the person to break the solid communication line. When this is flat, the processor does the same with a half-inch of space between his and the person's palms. The command being "Put your hands facing mine about a half-inch away. Follow them, and contribute to their motion." "Did you contribute to their motion?" Acknowledge. "When this is flat, the processor does it with wider space and so on until the person is able to follow motions a yard away. The processor and client are seated close together facing each other, the person's knees between processor's knees. End Point Run CCH 3 to a flat point and then go on to CCH 4. If no change in aspect for three commands, with the person actually doing the commands, go on to the next CCH. Cautions None. ~~~~ CCH 4 - Book Mimicry Description This is the process that produces some of those fantastic IQ changes, for it deals directly with the person's learning rate and his ability to duplicate communications. Bringing up his nonlanguage factor in the IQ has the effect of bringing the person into a better control of his environment and into handling people and objects in his immediate surrounds. The purpose of this process is to bring up the person's communication with control and duplication (control and duplication=communication). Give the person wins. It is necessary for the processor to duplicate his own commands. Circular motions are more complex than straight lines. Tolerance of plus or minus randomity is apparent here and the processor should probably begin with motions that begin in the same place each time and are neither very fast nor very slow, nor very complex. Introduced by the processor seeing that the person understands what is being done, as there is no verbal command. It is a formal process. Commands The processor makes simple motions with a book, hands the book to the person and the person makes the motion, duplicating the processor's motion mirror-image wise. The processor asks the person if he is satisfied that he duplicated the motion. If the person is, and the processor is also fully satisfied, the processor takes back the book and goes on to the next command. If the person is unsure whether he duplicated a command, the processor repeats it for him and gives him back the book. If the person is sure he did, and the processor can see that the duplication is pretty wrong, the processor accepts the person's answer and continues on a gradient of motion, either with the left or right hand, until the person can do the original command correctly. This ensures no invalidation of the person. Tone 40 only in motions, verbal two-way communication is quite free. The processor and person are seated facing each other, a comfortable distance apart. End Point Run CCH 4 to a flat point and then go on to CCH 1. If no change in aspect for three commands, with the person actually doing the commands, go on to the next CCH. Cautions None. Control of thought = Havingness (PAB 22)